Jan. 28 (UPI) --The symbolic Doomsday Clock managed by the Bulletin of the Atomic Scientists, has been moved forward by 4 seconds this year, making it now 85 seconds to midnight. On Tuesday, the group ...
Alex Sundby is a senior editor at CBSNews.com. In addition to editing content, Alex also covers breaking news, writing about crime and severe weather as well as everything from multistate lottery ...
Humanity continues to move closer to catastrophe, scientists said Tuesday, Jan. 27. The human race is at its closest point yet to destroying itself, according to the reset of the ominous but symbolic ...
Add Yahoo as a preferred source to see more of our stories on Google. The Bulletin of the Atomic Scientists members, from left, Jon B. Wolfsthal, Asha M. George and Steve Fetter reveal the Doomsday ...
The 2026 Doomsday Clock is ticking closer to midnight, signaling humanity edging to the "closest it has ever been to catastrophe" according to the Atomic Scientists, and the human race destroying ...
At the dawn of the nuclear age, scientists created the Doomsday Clock as a symbolic representation of how close humanity is to destroying the world. On Tuesday, nearly eight decades later, the clock ...
(NEXSTAR) – If you’re tired of early sunsets and dark morning commutes, have no fear: There’s light on the horizon. Not only does the U.S. gain a massive amount of daylight through January, but we’re ...
Will clocks spring forward for daylight saving time this year? There are bills in the U.S. Congress to drop the annual time change. President Donald Trump has said he wants to stop changing the clocks ...
Time got away from them! New York City teachers have found that scores of teenagers can’t read traditional clocks after a cellphone ban in schools statewide — because students figured the skill would ...
Some New York City teachers say it’s high time for a refresher on old-fashioned clocks. Tiana Millen, an assistant principal at Cardozo High School in Queens, said this year’s ban on smartphones ...
A close friend once described my relationship with time as “loose.” A mere guide or suggestion, say. Yet as I walk up to Berlin’s Neue Nationalgalerie to interview artist Christian Marclay ahead of ...
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